"I Woke Up and Chose Violence” a street Horror in bars.

Escovar X Violence (Official Music Video)

Escovar vs The Greats

The Anatomy of I Woke Up and Chose Violence

Hip hop has always been about choices. Some MCs choose to inspire, others to flex, and some to confess. Escovar? He chooses violence — and makes it a mantra. “I Woke Up and Chose Violence” isn’t just a song title, it’s a declaration, a ritual. From the opening bars to the closing hook, Escovar pulls listeners into a world where betrayal breeds consequence, threats are painted surreal, and the line between menace and humor is razor-thin.

The hook repeats like a war drum: “I woke up and chose violence…” Anchored by grotesque images — giving cheese to a rat and catching rabies, dancing with a devil and fathering her babies — it flips betrayal into curse. The effect is hypnotic, unsettling, and unforgettable.

Verse 1: Bitter Humor & Street Menace

The first verse sets the stage with wild juxtapositions. Escovar hands cheese to a rat and catches rabies, buys a dance from a devil and leaves with children — betrayal here is absurd, almost cartoonish, but the humor only sharpens the blade.

Then the tone hardens. “I’m a wizard, I’ll come flip ya disguised as a blizzard / I came for all the chicken, even the gizzard.” The imagery is violent, surreal, and memorable — the kind of line that sticks in your head long after the beat fades. The wordplay continues: lipstick and dipstick, encrypted bars too complex to decode, bricks chopped “karate style.” It’s aggressive wit, where punchlines double as threats, and threats double as entertainment.

Escovar

Verse 2: Condemnation & Curse

Where the first verse toys with grotesque humor, the second verse swings like a gavel. Escovar is no longer just describing violence — he’s condemning culture itself.

“Karma hit, demons haunt ya, bangin’ yaself / White sheet, two holes in it, hangin’ yaself.” These aren’t just bars; they’re curses. The tone shifts into occult territory, blending magic and menace. Escovar positions himself as judge, jury, and executioner — an enforcer who’s also a prophet.

Even the flexes carry weight: calling out Instagram posturing, mocking rappers who lean on pills to work, and closing with a chilling verdict — “Step foot in this realm, n***, I’ma toe tag it.”* The violence is no longer chosen — it’s inevitable.

Anatomy in Short

• Hook: A ritual mantra of violence, betrayal, and curse.

• Verse 1: Surreal humor fused with street menace, punchlines sharp as blades.

• Verse 2: Escalation into condemnation and prophecy, mixing occult imagery with street justice.

• Arc: From waking up angry → delivering absurd threats → pronouncing karmic judgement.

How It Stacks Against the Greats

🔎 Technical Craft

• Escovar: Rapid internal rhyme, surreal imagery, absurdist punchlines.

• Comparisons: DMX for feral aggression, Eminem (early) for shock humor, Three 6 Mafia for occult menace.

• Verdict: Leans horrorcore but with a paranoid New York edge — violent, witty, and unpredictable.

📖 Storytelling Weight

• Escovar: Betrayal → menace → curse. Less narrative, more ritual — a ceremony of wrath.

• Comparisons: Where Scarface would reflect and Nas would paint cinema, Escovar crafts grotesque parables. It’s not diary, it’s prophecy.

🌍 Cultural Positioning

• Persona: The ritualized avenger — half street soldier, half occult preacher.

• Lane: Perfect for underground visuals, viral shock hooks, and dark trap playlists. A lane hip hop rarely explores this vividly.

The Verdict

“I Woke Up and Chose Violence” is a ritual more than a record.

• Strengths: A hook that hypnotizes. Bars that mix humor with menace. Occult imagery that sets it apart. A tone so consistent it feels cinematic.

• Growth Points: Adding one or two grounded, humanizing lines would deepen the emotional pull — letting listeners see why the violence is chosen, not just how it’s delivered.

• Final Word: Escovar isn’t slick like Jay, poetic like Nas, or gymnastic like Pun. He’s the avenger — a wounded prophet who spits curses with grit and imagination.

And hip hop always has room for a prophet with a grudge.

Escovar vs The Greats